All posts by Roy van der Merwe

STOCKHOLM TICKET PACKAGES

You probably have all read now that the public sale for Eurovision 2016 tickets in Stockholm, Sweden starts on Thursday. We have covered this in as much detail as possible on our official facebook but for those of you who have no facebook access, we will probably know by Wednesday how many packages each OGAE club gets and then we will publish the list of those R O W members who have been successful in securing a package.

Unlike the public sale, R O W members will have one week to buy so no huge pressure to buy instantly.

The moment we get the buying codes for each member, we will forward it to you.

There will be a penalty for those who fail to buy the package, be a a financial penalty or even a 3 year ban on being on our ticket list.

The cost of a package is more or less 3800 Swedish krone and should you find that too expensive you have 24 hours to let us know that you want to withdraw from the ticket list as we will send the final names to OGAE International in about 28 hours time.

MANIE JACKSON – SPECIAL COVER

On Manie Jacks0n’s gospel CD is one special track

LEEF VIR HOM (Live for him)

It is the Afrikaans cover of a big Bles Bridges English hit, FIGHT FOR LOVE but originally a hit for UDO JURGENS, the composer in German.

This cover was done for Udo but he passed away tragically before we would give it to him. But hopefully all UDO fans will enjoy the song.

a-manie

TOP 10 EUROVISION ARTISTS DUETS

By Steve Humphreys (Australia)

One of my favourite moments from back in Vienna 2015, was seeing just how well contestants Mans Zelmerlow (Sweden) & Guy Sebastian (Australia) got on together during that week. Then this great freindship even transcended onto the Eurovision scoreboard, when both countries gave each other 12 points. There was even talk of a future duet between Mans and Guy, that would be special. This has got me thinking how many times has two stars of the past Eurovision Song Contests have actually got together to make a duet? besides covering a Eurovision entry, itself.

So  I did some searching around and came up with my own

Top 10 Eurovision artists duets.

1. Maria Haukaas Storeng & Måns Zelmerlöw- ‘Precious to Me’

2. Christer Björkman & Shirley Clamp- La Vie/ This is My Life

3. Agnetha Faltskog & Tomas Ledin- Never Again

4. Johnny Logan & Nicole – No One Makes Love like You/Niemand liebt so wie du

(composed by Ralph Siegel and Bernd Meinunger)

5. Elisabeth Andreassen & Tor Endresen- All over the World (MGP 15)

6. Olivia Newton-John & Cliff Richard- Suddenly (From Xanadu movie)

7. Timoteij Feat Alexander Rybak-Vända Med Vinden

8. Malena Ernman & Sarah Dawn Finer – Sancta Lucia (2013)

9. Jan Johansen & Jill Johnson- Let it be me

10.  Anita Skorgan Med Jahn Teigen- Friendly

If you know of some other Eurovision duets, let us know in the comments,

Footnote: When putting this Top 10 together I realised that just one artist that actually technically should not be on the list, as they have not appeared on a Eurovision Song Contest stage, Who is that?

 that’s Timoteij. I think this is okay as I recon they will make it to Eurovision one year in the not too distant future.(fingers crossed) (also the fantastic Sarah Dawn Finer made it as an interval act in Malmo)
 agneta

INTRODUCING STEPHEN STIGWOOD – AUSTRALIA

Hello my name is Stephen Stigwood. I have always wanted to attend a Eurovision competition but the opportunity has never presented itself until now. Every year I get excited when it is time to watch and admire each country as it performs. It actually brings out many emotions in me – happiness, surprise, laughter, bewilderment…and of course reinforces my love of music.

In 2016 I hope to be celebrating my 60th birthday in Stockholm and it would be a highlight of my trip if I could attend Eurovision.

Kind Regards,

Stephen=

INTRODUCING MICHELLE STIGWOOD – AUSTRALIA

Hi,

This is an introduction article.

I am a new member after being a fan of Eurovision since the Eighties. At that time I was living in Western Queensland 400 kilometres from the coast with very few choices for television channels – just the National broadcaster ABC and the highly entertaining multicultural broadcaster SBS – so it was always an annual highlight when Eurovision time came in the middle of a cold winter and Europe burst into my home. What I enjoyed, was listening to names of foreign countries with different sounds and very different costume designs. It was a way of keeping in touch with the rest of the world. It was a sanity saver for me in those years.

Cheers from Michelle

R O W STATEMENT

R O W has had a turbulent few days and maybe it is time to reflect on a few things.
NOBODY but NOBODY is irreplaceable in the club (and that includes me) but I am tired of the constant attacks on the club and its policies from a few individuals who just never seem happy with whatever is done.
R O W can be painted as the worst club in the OGAE family, yet it will always have more members than 50% of the other clubs because it is a vibrant club, it is dynamic and it is active and it delivers to its members. We have never claimed to be perfect (nobody can) but we try to be as open and transparent as possible, allow everybody to comment on things. Remember that we try to manage club made up of members from 30 different countries and it is not an easy task from the start.
With the privacy issue now, I got several private mails with total opposing stands. Some suggest the problems happen because we allow TOO MUCH FREEDOM, we should not make for example the ticket list or points table public, but imagine the outcry if we do not, then someone will say we add names of our friends or give points to our favourites or delete names of people we dislike.
WE will NEVER be able to please everybody, that is human nature, but we are happy with our policies and we can defend it even in an open debate.
Also this week I had a mail from someone saying that I go against some policy in our ticket allocation by allowing new members taking part in the ticket list – yes the policy has been discussed at length and agreed on by the board that nobody should get a ticket package with LESS THAN TWO YEARS MEMBERSHIP. But this is just in an extreme case scenario if
1 – where we get very little packages and
2 – where the demand from existing members is extremely high.
Under normal circumstances, if we get say 70 packages but only 55 are taken by existing members, there are 15 left, why should these not be made available to new members (2016), as some of them are really dedicated, did tasks and gather points.
One of the hallmarks of R O W has always been its flexibility – to adapt to new circumstances and this has made us the envy of many. Currently we’re passing through a transitional period in OGAE International and several new changes that have been brought by it, thus we try to adjust our club policies to the new changes. But we have the policy in place should we say get just 55 packages and all 55 are taken by existing members. Then newcomers have no reason to blame us as they knew the policy months in advance.
In all aspects of the club activities, we always try to find the best FIT for all, look at all possibilities and therefore things can change quickly and we try to be ready for that. We’re always welcoming members input in the future ticket policies and everyone who wants to share their thoughts and ideas for possible changes in the next years is welcome to contact us.
I am against a VERY strict implementation of the policy – yes I am all for having it in place long in advance so it is not a sudden surprise to anyone, but it is nice to be able to help also those newcomers if we indeed get more packages. All of us should be members of the club for ONE REASON only and that is to enjoy EUROVISION – we are not a political party who fight each other on issues or a high tech stock exchange company who wants to push all opposition out of the way and get the biggest market share. This is not why R O W was created 10 years ago.

R O W RESPONSE

ROW BOARD responds to the inquiries made on privacy concerns as follows:

It is well explained how Google Analytics (and the majority of large online companies) tracks demographic stats on the corresponding link, so we advise everyone interested in details to go there to read and understand the issue throughout. To highlight, there is no private information attached in the data used, even in the raw data demographic information is completely anonymous and is not attached to specific IPs, not even speaking about the little report requested by me and assisted in the compilation by Andy, when zero amount of personal data is disclosed. However, such information remains valuable for the statistic, research and analysis purposes. Bigger media are using it for advertising products, in our case it is may be leading to the need of creating more articles for younger generation which prevails among the website visitors or similar ideas.

Everyone probably is able to see the difference between saying:
A. Our website has been visited at 8.55 am by male aged around 55 from Victoria, Australia, who operates Google Chrome on Windows 8 and whose hobbies are listening to pop music, watching TV and gardening,
B. 31% of visitors of our website fall in 25-34 years old category, while 53% of them are male.
The second one is purely statistical, completely anonymous and contains no private data, you can see such notices daily on various websites and organizations. The first one may seem to be bordering with privacy concerns at first sight – but yet still doesn’t contain any private data that is associated and can be used to determine the exact person (such as name, e-mail address, computer IP). It is purely fictional example, though, as mentioned above demographic and interest data are not attached to the location data and is treated separately, and there is no major need or reason for us to offer tracking like that on the site, yet there are number of sites that use similar information about latest visitor on public display in their site counters.

It should remain clear that internet users themselves agree to provide their demographic data (approximate age and gender) and other tracking data (their location, browser information, interests, and hobbies) to various sites like for example social networks, online trade sites and to share it with Google and it’s partners worldwide. It is done by them on third party sites, no demographics data is extracted from their visit to esccovers, but from various previous data sharing between large internet companies. Of course, not every user even has this data stored, so roughly only half of visitors come with demographic data and are calculated for this purposes, but this is considered as reliable enough source of an estimate.

It is extremely difficult nowadays to remain anonymous in the internet. If you wish to try, perhaps you have to never register on social networking sites, never take part in online commerce and provide your data to any other online services, you have to completely stop storing cookies with your data on your computer and be browsing only through “private” tabs, use VPN or proxy services to protect your IP identity etc. This is a major question, which has no relations to how OGAE ROW operates and thus doesn’t belong to it’s discussion platforms.

However, it is important to remember, that OGAE ROW Facebook group in general is not intended for questioning the club’s authorities, but as a platform for Eurovision discussions and interaction between club members. Yes, from time to time me and Andy go out answering some membership questions posed on Facebook, but everyone should keep in mind there are specific means of communications set for the members inquiries in every organization. If there are questions related to the website, they should be directed to the website team at the specific contacts listed on the right for the website inquiries. If directed properly, one would have been referred to the Privacy and cookies policies of the website, which now I have also published as a separate post to highlight.

If there are ticket list questions, they can be submitted through people responsible for membership lists, currently it is Kyle, or to the general mail info@esccovers.com . Other general questions can be submitted through secretary Belinda or referred to member liaison Marcus. There always are people who are ready to help you. Yet, the system and the way communications are running in the club should not be abused. It tends to happen when people instead of using specific communication channels to share their questions or concerns go to public and launch debates based on unfounded claims, that have been not communicated with the club in the official way.

PRIVATE POLICY – ESCCOVERS

It is already published on the website, but I felt it has to also be a new post so people can read it and understand the way we operate.

 

ESCCovers can generally be used without supplying personal information. However, when personal information (such as name, address or email addresses) is collected on our pages for club membership purposes, this always occurs on a voluntary basis. This information is not forwarded to third parties (with the exception of OGAE International) without your explicit approval. Data in connection with your access which may permit identification (such as the IP address, date, time and name of the requested file) is temporarily saved on our server for purposes of data security and abuse prevention.

The data collected may be evaluated for the statistical purposes in an anonymized form. ESCCovers uses various web analytics services including but not limited to “kStats” (by WordPress.com), “Flags Counter” (by Boardhost.com) and “Google Analytics” (by Google), which may use so-called “cookies”, text files which are saved on your computer, to enable analysis of the use of a website. This information is evaluated by the companies providing tracking products to evaluate your use of the website in order to compile reports on website activities for us, as well as to provide additional services related to website and Internet use. In the case of disagreement with the usage of cookies, one can prevent their installation via the corresponding settings in your browser.

By using this website, you declare that you consent to the processing of data collected about you in the manner described above, and for the purposes described above.

SOLVING THE BIG PROBLEM

Article by Michelle Stigwood (Australia)
It is the subject that comes up each year in our home, as we wait for points to be given and eventually tallied from around Europe in the final of Eurovision. How may points will the UK get this year? Will it be null or maybe just a lonely 1 point. Will they finish at the bottom of the table? Which countries will somehow overlook the UK entry? Which may give the UK a token point( not Ireland!) Such a unceremonious fall from grace for an entrant that has won 5 Eurovision contests, is a member of the BIG 5, and until 1998 has reached the finals so many times.

But while I have been brushing up on some of the Eurovision history I have discovered something that may assist the UK to victory…well … a small sort of victory anyway.

I see that Monaco has once again declined to participate at Eurovision 2016. The reason could be many: financial ( too costly) technical ( no broadcaster) political ( bloc voting) or perhaps all of these reasons combined. This is a shame because actually Monaco had a very good track record of reaching the finals at Eurovision until recently. And of course we all luv a song in a language other than English- don’t we? It is so cryptic, so mysterious.

Monaco’s last win was in 1971 when Severine (a French citizen) directed by a French Director performed  “Un banc, Un abre, une rue” ( written by a French songwriter). This win was memorable for the fact that Monaco was eventually unable to host the competition in 1972 and after a long hiatus where France, Spain and Germany all declined to host Eurovision, the UK came to Monanco ‘s and Eurovision’s rescue by accepting to host the competition in Edinburgh in 1972.

So that “Good Samaritan” act started me thinking…maybe the UK could sponsor entries from Monaco (or other countries that are unable to participate because of financial or political constraints) and just keep it all hush hush…

At least this way, when Monaco or another sponsored country wins, the UK can at least host Eurovision again and savour the taste of success that has eluded it in the past 20 years.

 

ESC COVERS STATISTICS – OVERVIEW

We have been able to take a detailed look on ESCCovers counter and want to present you some interesting stats of the website since 1 May 2015:

Some demographics data:

Gender: 53% male / 47% female

So we get more male visitors than female but the difference is less than we expected.

Age:
25% – 18-24 years old
31% – 25-34 years old
18% – 35-44 years old
15% – 45-54 years old
8% – 55-64 years old
3% – 65+ years old

Age wise we are surprised as well, as technically most R O W members fall into the 35 to 54 age category.

usersAs for every ESC website, our top viewing days came from two Euroweeks in May, but we had several other peaks, the latest one on October 14, also on 15 and 29 July and 10 September.

Geographically, most of the site visitors came from USA (15%), followed by Germany (7%), Australia (6%), UK (6%), South Africa (5%) and Russia (4%). ESC 2015 host country Austria and 2016 host country Sweden also got into top 10. In total, we have registered visitors from 162 countries/territories.

Most popular pages on our website were: Eurovision 2016 lyrics page, OGAE ROW membership and Our World pages.

Top 3 most popular news articles:
1. Elene Mikiashvili participates in The Voice of Georgia
2. Lariss releases new single and video – Dale Papi
3. Neringa Šiaudikytė wins first prize at Universong 2015 in Tenerife

As our site is still a new site, most of site visitors came from Google websearch and Facebook links. In different regional versions of Google most popular referrers were .com.au, .co.uk, .co.za, .de, .se, and .es. Around 100 new visitors were driven in by OGAE International website. Eurovision.tv OGAE RSS program wasn’t the most popular source of hits, driving just around 11 visitors to the site per month.

Among fansites top referrer was Hungarian ESCHungary which brought about 100 visitors from it’s articles devoted to OGAE International voting and Second Chance contest. Second Chance participation also brought in some fans from Alexander Rybak’s site.

Most popular Twitter referrers were Austrian journalists Armin Wolf and Dieter Chmelar who have linked to ESCCovers lyrics page and their tweets brought about 250 visitors.

Most surprising are perhaps hits from the German language Buzzfeed article about #MomBod and #DadBod instagram photos which lead to the lyrics  page as well. Do you see a connection there?