All posts by Roy van der Merwe
UKRAINIAN SUCCESS AT EUROVISION
Article by William Fedor
Unfortunately the mere mention of the country’s name conjures up images of war and destruction for many people. Though there is fighting going on in a few corners of this vast fertile country, business is usual in most of Ukraine. Ukrainian people can be extremely patriotic of their country as highlighted during the Orange Revolution and the Euromaidan crisis, but they also love their music. Apart from giving speeches during Euromaidan, they would sing. Sing to keep warm and sing from their hearts because that’s what Ukrainians love doing, but both can always work together hand in hand. Ukrainian artists’ participation in the Eurovision Song Contest, has made Ukraine one of the strongest countries in the game. This has happened in the relatively short time frame since they first entered this nutty and outlandish annual competition so dear to all our hearts. But why have they been so successful, winning the votes of so many viewers every year?
It all started in 2003, when Oleksandr Ponomarinov took the stage. The performance stood out from the crowd with their ballet dancer in a music box, and operatic vocals. This was not enough to gather up enough attention to bring them even close to a win that year. However, Ukraine’s second attempt brought them much more success. Ruslana brought the trophy home the following year with her song ‘Wild Dances’. It was a proud moment for the country. She may have looked like a Xena clone to many onlookers. But many do not know that the performance incorporated elements of Ukrainian culture, specifically of the Carpathian Mountains. Ruslana is born and raised in the beautiful city of Lviv, not far from the Carpathian Mountains themselves. From the crazy outfits of both the singer and dancers, to the’ trembita’ (Alpine Horn-like instrument used in the opening of the performance). All of these are based on Ukrainian traditions. Since her win, Ruslana has not only furthered her career as a performer, but also gained popularity as an activist in her home country, especially during Euromaidan.
Ukraine’s status as the host country in 2005 was in jeopardy for a short time preceding the contest. The ‘Orange Revolution’, in which the newly elected president Victor Yanukovych was accused of rigging the votes, causing some uncertainty of the country´s ability to organise a large international event. They pulled it off however. At least as far as hosting goes. Their entry ´Razom nas bahato’ (Together we are many, we cannot be defeated) by GreenJolly was also the unofficial anthem of the rebellion. It’s highly relevant and politically charged lyrics may have been dear the hearts of many Ukrainians, but the international stage was not as receptive to this. Perhaps most of Europe, not understanding the language, could not fully grasp the point. Or perhaps Eurovision fans is not equal to hip-hop fans?
Years 2006 and onward have generally been quite successful for Ukraine. They have never failed to qualify for the Final. They have sent a string of solo female/female impersonating artists ever year, and have even come very close to winning on a couple of occasions. But what else do the most successful of their songs have in common? Well let’s look at all of their songs placing in the top 5.
Ruslana with ‘Wild Dances’ – 1st place in 2004
Verka Serducka with ‘Dancing Lasha Tumbai’ – 2nd place in 2007
Ani Lorak with ‘Shady Lady’ – 2nd place in 2008
Mika Newton with ‘Angel’ – 4th place in 2011
Zlata Ognevich with ‘Gravity’ – 3rd place in 2013
These songs do not necessarily fall into the same genre, nor are they even a similar tempo to each other. It’s probably not the fact that none of them have LOVE in their titles, which appeals to the crowds either. They all have a catchy tune however. A melody which someone could sing to in the shower, hum on their commute to work, or even Wild Dance to at their Sunday afternoon Zumba class.
The stage performances of all of these top placing songs are also all memorable, and not for the same reason. Ruslana was memorable for her great costumes and dancing, Verka for her over-the-top craziness which even snuck its way into the popular movie ‘Spy’ eight years later, Ani Lorak for her great props and smooth moves, Mika Newton with her sand painting and Zlata for the great implementation of computer graphics and of course the larger than like man carrying her onto the stage. One may conclude from this that a catchy tune and a memorable performance makes a promising Eurovision entry. But that’s not exactly new information. So what is it about this country that makes their artists so appealing? Perhaps it’s because of their love of music.
Unfortunately Ukraine were not able to participate in glitz and glamour of the 60th Eurovision contest in Vienna due to the current situation, much to the dismay of many fans. They were able to send an entry to Malta for the Junior Eurovision Contest with a symbolically charged entry highlighting their love for Ukrainian traditions, and they have continued along with a similar trend with their entry in Bulgaria this November.
Will the situation in Ukraine influence what type of entry will be sent to Stockholm in 2016. Could it be along the lines of patriotism and the love of Ukrainian traditions that they will sing from their heart and give us a performance that will allow them to claim that top spot. I guess we will have to wait and see.
HARD ROCK HALLELUJAH
Post by Aaron Paraiso (who has lived in Finland for some years)
Hearing neighbours’ screams of joy in the middle of the night, cracking open the champagne and staying up till dawn waiting for the next morning’s news broadcast. These are all some of the experiences I had in 2006 when Finland won the Eurovision Song Contest.
One would assume at first that I, a Hawaii-born person, wouldn’t know much about Eurovision. Especially since most Americans don’t really know what it is. “Eurowhat? Oh I don’t really follow the soccer”. But I have definitely had my fair share of exposure to it, having lived in Finland a large chunk of my life and the last several years in Australia – a country with a large following and growing interest in the contest.
Finland has competed in Eurovision almost every year since the competition started. The acts sent to the contest by this small Nordic country have always appealed to the population within its borders. Many of the songs of past entries have even become classics in the country, heard on Easy Listening radio stations, Tango functions and karaoke nights alike. But the songs were never considered memorable by the rest of Europe, often failing to qualify for the Finals since the introduction of the Semi-finals in 2004. Not even creating an English version of the Finnish language entries gave them much of a boost.
To be honest, when I first heard that the band Lordi was competing in the Finnish National Final, I thought it sounded like a joke. ‘Of course they won’t win. They couldn’t be further from the Eurovision norm’ I thought. I wasn’t alone on this either. The group was well known within Finland before this time. Popular in some circles with their hard rock songs such as ‘Would You Love a Monsterman?’ and ‘Devil is a Loser’. They were not however, what anyone would consider as mainstream music.
In the months leading up to the National Final, both the song and band grew on me. A lot. It went right from the bottom of my list, to the top. I didn’t see that one coming. Perhaps it was partly due to the heavy media coverage and the so called ‘controversy’ of them competing. Although those factors may have played on my subconscious to make them more appealing, nothing could have beaten seeing them perform live on that dark winter night in Turku, Finland. The magic of the live performance, along with their monster-like costumes and pyrotechnics won me over. Apparently it also worked for public watching the show on television, because that night it was announced hard rock group from Lapland was headed to Athens!
Over the following months, their media coverage increased. Both on a national and European level. There was lots of hype about the uniqueness of the current Finnish entry, and whether it would appeal to the continent as a whole, or flop like a dog’s ears with its head out the car window. One thing was sure though, it was not going to be easily forgotten. You can never plan to be in the winning country at the moment when the live votes come through and we see who gets all the ‘Douze Points’. You can double your chances if you live near a land border and are able to pick up and go on a moment’s notice, or perhaps you may rely on betting odds. But you can never be absolutely sure until the time comes.
Being in my adopted home country when they took home the title of Eurovision Song Contest Winner 2006 was incredible. Of course I envied my fellow OGAE counterparts who were in Athens at the time to cheer them on. But just experiencing the atmosphere and mood of everyone around in the winning country, and putting an end to that joke ‘Hell freezes over, Finland wins the Eurovision Song Contest’ where it was most relevant, is an experience they will never have. I can’t wait to see what happens next year when I’m in Stockholm.
LETTER TO TURKEY – MICHELLE STIGWOOD (Australia)
To the Head of TV Entertainment – Turkey
Surely no other country gives Eurovision more credibility in its goal of bringing people together than Turkey – a country that has spent its entire existence as a bridge for bringing people together. Turkey is often seen as the link between East and West and Europe and Asia. It is the crossroads, and it seems important to me that we get to hear music from this part of the world. Turkish music can blend the infectious pulse of pop with a traditional arrangement that springs from its ancient well. And please don’t try and convince me that any other dancers can dance as well as the Turkish women. They swirl and weave their own unique blend of magic on stage! There is so much exuberance and feeling. I have trouble staying in my seat when Turkish pop music is playing!
I have been captivated since 2003 when Turkey won with ” Every way that I can” and I would like to implore the Head of TV Entertainment in Turkey to advocate strongly for taking an entrant to Stockholm for Eurovision in 2016. Our world needs to become more connected and not lose music that can bring people together in celebration and joy.
Yours faithfully,
M S – A fan from Australia
LETTER TO PORTUGAL – JULIA FOSKEY (Australia)
To The Head Of Rádio e Televisão de Portugal,
I am writing to you today to try and convince you that Portugal should reconsider their decision not to enter Eurovision in 2016.
I understand your withdrawal came after a long and intensive evaluation of Portugal’s participation in the competition, and that you have chosen not to include the Eurovision Song Contest in your programming grid. I also know that you intend to return in 2017. But I believe that skipping 2016 is a mistake.
For me, Portugal is one of the most important countries contributing to the wonderful blend of cultures and music that defines Eurovision. Each year the entry from Portugal exposes Europe and the world to the beautiful Portuguese language and culture. It was seeing the lovely Portuguese entries year after year that inspired me to visit Portugal in 2008, and I’m so glad I did.
Portugal consistently sends uplifting and unique entries year after year. The rhythms, language and culture of Portuguese music is something that no other country can offer, and something many Eurovision fans look forward to. While it is unfortunate that this enthusiasm has not always been reflected in the voting outcome, I can assure you that the Portuguese entry is an absolutely essential piece of the Eurovision puzzle, much like Portugal’s active role in the European community.
Portugal is a Eurovision heritage country with so many years of entries. Entering Eurovision 48 times is something to be proud of, and songs like Ha um mar que nos separa and Quero ser tua have added to the wonderful catalogue of entries from over the years.
Please reconsider your decision, because a Eurovision Song Contest without Portugal is a very sad thing to see. Perhaps a 2016 entry could even lead to the 2017 Eurovision Song Contest being held in Lisbon?
Sincerely,
An Australian fan
LETTER TO TURKEY – EMILY SMITH (Australia)
An open letter to TRT
To Whom It May Concern,
I am writing to you about Turkey’s participation in the Eurovision Song Contest, imploring you to reconsider your decision to not attend in 2016.
As a great fan of Eurovision, and of Turkish entries in particular, it deeply saddens me that you have withdrawn from the contest indefinitely. It is particularly disappointing that you have cited moral objections, as Eurovision is inherently about inclusion and diversity. The contest is a celebration of differences, with no one being unwelcome: even Australia attended this year! What makes Eurovision so great is the manifestation of diverse cultures, attitudes and beliefs all coming together in one event. While your government may have objections to certain events that have occurred within the contest, it is a great shame for you to remove yourself entirely.
The theme of inclusivity is extremely relevant now, with Turkey playing such a pivotal role in the current Syrian refugee crisis. Participating in Eurovision again would be a wonderful gesture of Turkey’s willingness to be a part of the European community, with a view to improving diplomatic relations with the rest of Europe. The political implications of Eurovision participation cannot be lost on you, with you yourselves initially withdrawing for political reasons. While the contest was initially established as a tool to unify Europe after World War II, it continues to foster harmony amongst European nations. In the face of a global humanitarian crisis, continental unity is critical and Eurovision holds the key.
Politics aside, it is worth noting that Turkey has had great Eurovision success in recent years. Reaching the top ten seven times in ten years is a remarkable feat, and one of which you must be proud. Your bold stage presentations and Mediterranean/oriental flavoured pop music products are a winning combination; the voting population cannot get enough. And just think, Eurovision 2017 held in Istanbul could even further strengthen Turkey’s relationship with the rest of Europe. This could be a key opportunity for you to use the recent popularity of Turkish music and culture to your advantage.
Looking closer to home, Eurovision is very popular within Turkey itself. This year, hotel searches for Vienna increased by 91% in Turkey, higher than in any other country in the world. Clearly there is still huge support for Eurovision within Turkey. It is a great shame that Turkish fans can no longer enjoy the broadcast from within their own country, in addition to not being represented on the stage.
Let’s not forget that there are approximately 150,000 Turkish people living in Sweden. They must also be very disappointed that a representative from their homeland will not be joining them in Stockholm. There are millions of Turkish people living across Europe who are actively involved with Eurovision, as displayed in Eurovision voting. Turkey has historically received the most points from Germany, which has the largest Turkish population in the world outside of Turkey, estimated at four million people. The second and third most points received have come from France and the Netherlands, who have the second and third largest Turkish populations in Europe. Vast numbers of Turkish people at home and abroad support Eurovision and they are being let down by your non-participation.
There are a multitude of reasons why Turkey should reconsider their position, but in the end it boils down to this: a Eurovision without Turkey does not feel complete. Something is missing. Your absence is felt deeply by all the fans, Turkish and otherwise, and we urge you to rejoin us.
Kind regards,
Huge Eurovision fan
EUROVISION RUSSIA: BEHIND THE SCENES….
Eurovision: behind the scenes and life after the spotlight
Written By Alexey Zavalov and Vladimir Aptovtsev
Unfortunately, the 90s were not particularly successful for Russia as a participant of Eurovision. It was simply a series of failures: Philipp Kirkorov, which was sent there having no preparations; Andrey Kosinski, whose talented song has not passed through the additional selection; Alla Pugachiova, whose performance had been considered too pathetic. Then Russia has been deprived the rights of participation for two years.
New round
After reaching such a high result at Eurovision, singer managed to release the album «Alsou» in English. A CD with it was released in more than 7 countries. Career of Alsou went up rapidly and she has released several more solo albums. Three times she has won “Golden Gramophone” prize. Even acted in some movies. Today she is broadly known singer and happy mother of 2 cute daughters.
Quite popular artists were sent to the Eurovision in subsequent years: “Mummy Troll”, “Prime Minister”, “t.A.T.u. “, Yulia Savicheva, and Natalia Podolskaya. However, their shows did not make the desired effect at European audience.
True success has been brought to Russia at Eurovision by Dima Bilan. He went there twice, in 2006 & 2 years later, bringing the country long-awaited victory. His career evolved quite rapidly before that, and received a new round after participation – he was invited to various international projects and gave prestigious awards (e.g., MTV Europe Music Awards). Between performances of Bilan, in 2007 Russia was represented by the project of MaximFadeev named “Serebro”, which took 3rd place and had good commercial success both in domestic show business and also abroad. Their song “Mama Luba” did not descend from the top of charts of the largest European countries long after. The girls were on promo tours in Italy, Spain, France. They have been on TV and radio. Their English album became platinum in Italy at the number of sales. Members of the group performed a duo with popular Dutch band Yellow Claw, been in Mexico and Japan with tours.
Participants of recent years: life after Eurovision
Buranovskie babushki have been remembered around the world, who struck all with their Udmurt’ colouring. This brought them on the second place. And in the semifinals they had full chances of winning. What is the life of grannies after the contest? Back home, in Udmurt Republic, they immediately possessed the People’s Artists pedestal. In 2012, when they carried most fame, the band was actively participating in commercials. They also had projects with well-known performers. However, in 2014, “Buranovskie babushki” went through changes. Producers haven’t renewed the expired contracts and all members were fired. New members were hired to replace the previous line-up and now that name belongs to the very different performers. The old line-up is still doing occasional local performances under name “Babushki iz Buranovo”.
After grannies, Russia was represented at the Eurovision with Dina Garipova, who managed to win the 5th place. Immediately after participating in ESC, she has released the debut record and went to tour on Russian cities.Dina married in 2015. Today she is an actor of Musical Theatre of Gradsky.
In 2014, the European audience was pleased by spectacular twins, Tolmachevy sisters. However, not everyone knows that this is not their first appearance at the famous contest. The girls had previously participated in a children’s version of Eurovision and even won it. Sisters were seriously prepared for an adult competition. They had to make their English better, hard to study singing, carefully keep nice fit. As a result, Masha and Nastya gained seventh place, although initially they were intended for a much better result. Despite this, the public accepted the twins warm enough. Their song «Shine» was memorable to listeners, as the bright images of girls.
However, after some time after the competition it was almost nothing heard of girls. The first time they made several tours in Russia. But today’s interest to girls fell. Someone name them as one-hit wonders, someone predicts the superfast rise of careers and they are simply gaining strength for that. Sisters repeatedly informed us about plans to storm the Eurovision again to win. Life will show.
Polina Gagarina took all the attention at the competition in 2015. She managed to gain the second place. After Eurovision Polina stopped the contract with her manager Konstantin Meladze. She shifted herself to the project called “The Voice”, where she took the role of a mentor. It was another pleasant surprise in Sept. of same year, GQ magazine named her Woman of the Year.
Bright foreign Eurovision contestants
Many wonder whether there is life after Eurovision for young and not so famous artists. Or they are gradually forgotten after a year or whatever? The answer is different. Circumstances vary. In any case, this competition allow viewers discovering new bright names and sonorous voices!
(EURO)VISION OF THE FUTURE
by Richard Isaac (Seattle)
Normally a glimpse of the aging members of Lordi in full costume roaming the dusty desert streets in their wheelchairs would be the most memorable moment of the 99th Eurovision Global Song Contest.
But the backstage romance between the Israeli and Palestinian members of their joint delegation has captured most of the headlines in advance of the finals taking place this weekend, May 29–30, 2054. The press broke the story of Shimon and Suleiman just before last weekend’s semifinals, when they were caught at a candlelight dinner on the outskirts of host city Bamako, the other band members nowhere in sight.
Still, since the Treaty of Amsterdam of 2022 put an end to the century-long Middle East conflict, the only scandal the tabloids have been able to find is that their mothers are complaining that the young men hadn’t yet told them.
Mali, named a UNESCO World Music heritage site in 2027, is in full regalia to welcome the 59 delegations, after having finally won with Ali Selif “Elvis” Touré’s rousing “Bembera” last year. Being the first African nation on top in ten years, the country and its capital are putting on a colorful show for the world.
The four quarterfinals — instituted soon after the contest went global in 2033 — went smoothly last month, featuring 111 entries in all: 25 from each zone (12 of which advance), plus the Big Ten and Mali.
In the Americas competition, Cuba and Haiti easily took the top points, and Big Ten members USA and Brazil automatically advanced along with the other top-scoring nations. Canada’s Justin Bieber III did not qualify, however.
In the Asia/Oceania quarterfinal, the Sri Lankan fusion trio Sri Blind Mice squeaked out first place over Papua New Guinea and the other 10 qualifiers, who joined Big Ten members India, Australia, and Korea (which alternates with Japan and China for the East Asia Big Ten spot).
The Africa/Middle East contest, West African nations dominated the top spots, with host Mali also automatically advancing with Big Ten member South Africa and this year’s pan-Arab Big Ten representative, Iraq. The joint Israel-Palestine delegation (the fifth such in 32 years) made a splash with an up-tempo dance number, “Wholly Land.”
Malta continued its lucky streak in the European quarterfinal, joining other “smallies” Liechtenstein, Monaco, Andorra, and San Marino among the top finishers. UK, Germany, and Russia (which alternate with France, Spain, and Sweden for the European Big Ten spots) rounded out the 15 total advancing from the contest’s home ground, including strong contenders Czechia and Vatican City.
Italy (having dropped out in 2041 after four consecutive wins) had been rumored to be returning—again—but in the end decided not to. It was Turkey’s year to compete in the European quarterfinal, but maybe it will have better luck in next year’s Asia quarterfinal.
The 59 semifinalists were, as usual, randomly shuffled without regard to geography into last weekend’s two semifinals, and the top 20 from each (plus host Mali) are being sent along to this weekend’s split finals on Friday and Saturday nights, Greenwich time. (Since 2044, the Big Ten have not had a right to automatically pass through to the finals, allowing for more diversity in the final 41, but five of them made it through this year.)
Of course, since the shows are broadcast globally at different times of day, the vote results will be withheld until the two-hour special on Sunday afternoon, so everyone can see both shows and not lose too much sleep.
There are some surprises among the finalists, including two entries in Esperanto. Since the language restriction was reintroduced in 2021 (allowing songs only in official languages), several nations adopted English as an official language, but EGSC organizers saw through the ruse and limited English songs to the British Isles, Malta, Gibraltar, and other longstanding English-speaking lands, such as Singapore and Liberia. In protest, Esperanto has been revived as a way to reach broader audiences.
Some things remain as they always have: the songs are no longer than three minutes, only six people are allowed on stage, and fireworks and wind machines are encouraged. The hosts’ banter is still generally silly, as are some of the costumes.
Who will win this weekend is anyone’s guess, though. The betting sites favor the strong entries from Malta, Cuba, and the host’s neighbor Burkina Faso. Will Sweden take home its 12th prize? Will dark-horse Laos come from behind? Or will onetime-powerhouse Ireland break its 58-year losing streak? That would sure please the veteran BBC host, 91-year-old Graham Norton!
LETTER TO PORTUGAL – STEPHEN STIGWOOD (Australia)
Head of TV Entertainment Portugal – broadcaster RTP
I am disappointed and surprised that Portugal has decided not to join in the competition for Eurovision 2016 – Stockholm.
Having visited Portugal in 2009 I found the country to be steeped in music and the traditional music, Fado, was very moving and unique. It is a lament to all that has been lost…in love and in war. This wonderful music was performed from so many different musicians from humble men in their local cafe or bar to professional Fado artists who had perfected their craft and sound. I felt that Portugal had a strong musical spirit and this is supported by the fact that Portugal has been an entrant is 48 Eurovision competitions and this is the most of any country! A remarkable feat of persistence! This fact shows that the country loves music and always enjoys a chance to perform. What a wonderful way to showcase Portugal to the rest of Europe and the world. Keep entertaining us Portugal. We need to hear more of your special music.
Please reconsider…It is only a matter of time until Portugal wins but of course if Portugal does not enter, then their time for winning will never come!
Regards,
A heartbroken fan
LETTER TO LUXEMBOURG – DARREN TOMPSETT – UNITED KINGDOM
Kent
DA1 5QU
Royaume – Uni
20th October 2015
45 bd Pierre Frieden,
1543 Luxembourg
Dear RTL Télé Lëtzebuerg,
Hello my name is David Theron, OGAE UK & Rest of World Member, and I am writing to you from Royaume Uni (United Kingdom) to express my desire for Luxembourg to rejoin the Eurovision Song Contest.
I have been a fan for nearly twenty years and over this time I have enjoyed many songs from different countries. I love the fact that some entries are sung in their own language; this is what Eurovision is all about celebrating different styles of music around Europe.
I feel that Luxembourg is one of these countries that always presents a song that really shows off their country and gives us the viewers a little taster of their nationality.
As you are aware Luxembourg has participated 37 times and won the contest five times:
1961 Jean Claude Pascal “Nous les amoureux” 31 points
1965 France Gall “Poupée de cire, poupée de seń” 31 points
1972 Vicky Leandros “Aprés tol” 128 points
1973 Anne Marie David “Tu te reconnaîtres” 129 points
1983 Corinne Hermes “Si la vie est cadeau” 142 points
All amazing victories and I know that Luxembourg could win again if they had the right help and guidance. Having finished in the top ten twenty-two times is a big achievement not duplicated by many other countries.
For Luxembourg to move forward I think that creating a new television show to find the artist/song to represent them would be successful and of course the public will be heavily involved. This has worked in many countries and in some cases; the chosen song has gone on to win the contest. I know that funding can be an issue but I’m sure that sponsors, like local radio stations, music companies, the tourist board would all benefit from a win. You just need a great artist and song to convince these sponsors and show them that it would be very rewarding for both parties.
Fans of Eurovision from all over Europe have lots of ideas and I am one of those people that could help out other countries on how to make a comeback to the contest. Social Media is a key part of marketing these days that really wasn’t around during Luxembourg’s successful Eurovision run. International street teams can promote your song and artist in their local country which would cost you little to nothing for free publicity.
I would love Luxembourg to come back with a winning song that is current, fresh but still has traditional values by being in your native tongue.
Last year’s motto was building bridges and I feel that Luxembourg should build towards connecting with other countries that can bring them back in the contest. For instance, if Luxembourg won maybe a shared contest between the Benelux countries would not only split the costs but also celebrate the true meaning of the contest, One Vision – A Euro Vision.
Eurovision is big celebration that is adored all over Europe, being the oldest and most watched non-sporting television programme in the world; Luxembourg deserves to be a part of that. So come join us.
So let’s help find you some funding and select a well written song and get the prestigious title of “Six-Time Winner!” It would seem a shame that such a successful country in the contest isn’t represented now with the contest entering its sixty-first year. With many countries returning to the contest like Italy it would be great to have Luxembourg back as well.
If you need to contact me, please feel free I am happy to help such a worthy country get back into the Eurovision Song Contest.
Yours sincerely,
David Theron (name changed)


