Points for 5 TASKS

We will reflect them in POINTS TABLE shortly. Please contact us if you think we have missed your points for the 5 TASKS.

aj poncin – 30
alexandru badea – 10
andre durham – 30
andrew bayley – 10
andrew scott – 30
andrew wortham – 30
anthony zanker – 30
belinda conn – 20
bernando ordas – 20
beth hackney – 30
camilo gomez – 30
christopher cobb – 15
darren tompsett – 30
david robichaud – 5
david thielen – 30
dean cheley – 30
dimitri karagianides – 30
edward till – 30
eloise sowden -30
emily smith – 30
eric andersson – 30
fred medeiros – 30
gavin a-rainey – 15
hien djie – 5
ian lambert – 10
james hare – 30
jason watkins – 30
johnny kollin – 30
jose luise abaya – 15
julia foskey – 30
kyle woods – 30
len whitney – 30
luc spencer gardner – 30
luis chong – 20
lukman uleng – 5
michael muniz – 5
michaela sowden – 20
nathan mountford – 30
niall drennan – 15
nicolas saurez – 20
roger a-rainey – 30
ronny addamo – 30
sascha stolp – 30
scott parsons – 20
shirley thielen – 15
steve humpfries – 10
stuart d’addona – 30
tricia flores – 10

WHAT’S IN A CONTEST?

Written by Edward Till (UK)

I’ve been lucky enough to attend 6 Eurovision Song Contests now (Athens 06, Dusseldorf 11, Baku 12, Malmö 13, Copenhagen 14 & Vienna 15) and often get asked which was my favourite Contest. I realised that it was difficult to answer as each Contest had it’s own pros and cons.

So what does it take to produce a great Contest to actually attend, as opposed to watching on television. I’m sure those of you who have attended o contest will have their own criteria, but for me, it all comes down to the following factors:

    Eurovision Fever in the host city

This can influence your enjoyment of the contest immensely. When the city is wrapped up in Eurovision logos and your favourite Eurovision songs are playing in the shops, it really can make you feel welcomed in your host city.

Here I would have to say Malmö won hands down for me. Being a small city, you really felt the presence of Eurovision everywhere you went, from the Eurovision butterflies adorning the statues, the Eurovision hits played in the train stations, and even the Eurovision canal cruise.

Who lacked in this regard? I would have to say Vienna. The venues were so spread out and this large host city is so used to many more tourists, that you just didn’t see the Eurovision spirit until you arrived at the arena.

    The venue itself

When you have thousands of excited fans in a small area, you want the venue to be able to handle the crowds easily enough, is easy to get to and has a great vibe.

I think the best venue so far was probably Vienna. There were enough food and drinks stands to handle your orders quickly, the atmosphere was fantastic, it was easy to get in, easy enough to get to, and just very well organised.

The worst for me? Probably Baku. The venue itself was amazing, but it was a long walk to get to, there wasn’t enough food and drinks available (not even water on the first night), and the security did not make you feel at all welcome.

    That special something

Each year, there is something that makes that year particularly memorable. Maybe it’s the glorious weather, or the fact that it is your first Contest, or that your favourite won.

For me, the most memorable contest has to be Baku because of all the new and lasting friendships that was made that year. The organisers insisted on only issuing tickets on that day for each show, meaning we were forced to meet up as an OGAE crowd before every show to pick up our tickets for that day, and as such ended up travelling to the venue together too, socialising along the way.

So to sum it all up? Which was my favourite year? If I had to choose, it would be Malmö in 2013. The weather was perfect, it was well organised, the city embraced all the fans and a fantastic week of Eurovision was had by all. Although Baku was definitely a close second (despite the problems with the venue).

What was your favourite, and why?

Elene Mikiashvili participates in The Voice of Georgia

Elene Mikiashvili {copyright: Imedi tv/The Voice of Georgia}
Elene Mikiashvili {copyright: Imedi tv/The Voice of Georgia}

Elene Mikiashvili is a promising and rising star from Georgia. Earlier this year she submitted her song I’m Gonna Run to the national selection in Georgia. Now Elene is participating in the 2015 The Voice of Georgia competition.

The Voice of Georgia coaches this year have a Eurovision flavour. They include Anri Jokhadze (2012 ESC – I’m A Joker) and Nodi Tatishvili (2013 ESC – Waterfall with Sopho Gelovani).

Elene Mikiashvili {copyright: Imedi tv/The Voice of Georgia}
Elene Mikiashvili {copyright: Imedi tv/The Voice of Georgia}

Elene performed the popular Proud Mary (recorded by acts such as Creedence Clear Water Revival and Tina Turner) in the blind auditions. She showcased her strong and clear vocals and Anri turned his chair. Now Elene is on Anri’s team and we will see how she progresses over the coming weeks.

Source: www.imedi.ge; www.esccovers.com

INTRODUCING NEW MEMBER

We are introducing James Hare.

My reason for joining OGAE is due to my partner Danny’s obsession with Eurovision. Every year over the last 17 years he has orchestrated many parties where we have celebrated Eurovision with friends.  He loves how cringe worthy some of the entries are and the comedy element. He will fanatically develop marking sheets and banners,the marking is the standard form, with the addition of scoring for special effects outfits, drums and good topless guys.

Next year is my partners 40 th birthday and I am aiming to take him as a surprise to Eurovision, if we manage to get tickets then he will be beside himself with excitement. His family will also be there to share the experience.

My favourite Eurovision song was Belgium’s entry in 2003 by Urban Tran who sang with no words.

https://youtube.com/watch?v=S6KGzTlpxT4

Iveta Mukuchyan to represent Armenia at the 2016 Eurovision Song Contest

Iveta Mukuchyan {copyright: www.snipview.com}
Iveta Mukuchyan {copyright: www.snipview.com}

The Public Television of Armenia has chosen Iveta Mukuchyan to represent them in Stockholm, Sweden at the 2016 Eurovision Song Contest. Iveta was internally selected to sing for Armenia.

Iveta was born in Yerevan but moved to Germany as a child. She took part in The Voice of Germany in 2012 and even performed the winning song of Sweden at Eurovision that year on the show, Euphoria, by Loreen.

Iveta has just released her latest single and video entitled Simple Like A Flower. She wrote the music and lyrics herself. You can see the video for the song below.

The Public TV of Armenia has invited composers to submit songs in an open competition by email by 13 November to selection@armtv.com.

Source: www.eurovision.tv; www.esccovers.com

LAST CHANCE TO EARN POINTS FOR 2016 TICKET LIST

The points table will close on 31 October 2015.

There is one more chance for points but this is exclusively just for people who became members for 2016. We know some of you joined late and did not have all the chances for points like the older members (especially good luck messages). So here is your last chance – the closing date is 21 October 2015.
It is a much more difficult task but there are a lot of points at stake – two members can get 100 points each which will almost guarentee those two for ticket packages.
The two winners will be judges by a panel of three people
Andy Mikheev – Kazakhstan
Cole van Dais – South Africa
Gerry Avelino – United States
These three people are not taking tickets themselves so they will judge each entry purely on merit. They won’t even know who is who, as I will get the entries and give it to them just as entry from A or B or C, no names.
So unlike normal tasks, this task will requite a little more thought to make sure you stand a chance to be one of the two winners.
One of the most important aspects of EUROVISION is which countries will take part and fans are always sad when some countries decide not to take part. Recently we heard NO’s from Croatia, Bosnia and Portugal. But we also know Turkey, Slovakia, Luxembourg, Andorra and Monaco will not participate.
The task is, you have to pick one of these NON participating countries and write a letter to their HEAD OF TV ENTERTAINMENT and give reasons why you as a fan want this country to reconsider and take part.
I myself have done this several times and in the case of two, I have had some success in that these countries did take part and one even wrote to me saying my mail got them thinking. The first example is CZECH REPUBLIC 2015. I wrote a long letter to them once we knew Eurovision 2015 would be in Vienna. My reasons for them to take part is that in 1968 their most famous singer KAREL GOTT took part for Austria in Eurovision with a song composed by Udo Jurgens, the only previous Austrian winner and it would be wonderful to have them make a return in Vienna. Even in Vienna Marta and Vaclav spoke to me as they knew of the South African who is a huge Karel Gott fan. In my mail to Czech republic I attached also sales figures of Karel Gott covers in South Africa (12 of his songs have been covered in Afrikaans with sales to around 3 million). Of course they did write to me to say other factors played a role as well, but it was great that I reminded them about this special connection between Austria and the Czech republic.
The second example was AUSTRIA 2011 – and here I focused mainly on the fact that Eurovision 2011 was in DUSSELDORF in Germany and it would look awful if a fellow German speaking country is absent.
I know this is not going to be easy but a lot of points are at stake and so think carefully which country you will pick and what reasons you will use to get them to return.
I would like to send the best mails to these countries – maybe a last passionate plea would get maybe one to return. We have nothing to loose.

Answers to info@esccovers.com

Paulina Skrabytė releases ‘Nuostabi diena’

Paulina Skrabytė {copyright: Paulina Skrabytė/Facebook}
Paulina Skrabytė {copyright: Paulina Skrabytė/Facebook}

Paulina Skrabytė sang Debesys for Lithuania at the 2011 Junior Eurovision Song Contest. She has been busy since that time building upon her singing and performing and studying.

Now Paulina returns with an electro pop song called Nuostabi Diena (Amazing day). Music and production is by Virus J and lyrics by Rūta Lukoševičiūtė. Paulina is considering making an English language version of the song too.

You can hear Nuostabi Diena below.

Source: www.esccovers.com

Sofia Tarasova releases new single – ‘Neba dozhdi’

Sofia Tarasova {copyright: Pershyi Natsionalnyi/NTU}
Sofia Tarasova {copyright: Pershyi Natsionalnyi/NTU}

Sofia Tarasova represented Ukraine at the 2013 Junior Eurovision Song Contest with her song We Are One. She finished in the runners up position that year  in Kiev with her popular entry. She also won The Voice of Ukraine Junior in 2012.

Sofia recently performed on  Pershyi Natsionalnyi (First Channel) tv in Ukraine her brand new single entitled Neba dozhdi (Heaven’s rain). The song has a very strong production and anthemic feel.

You can see Sofia perform Neba dozhdi below.

Source: NTU; www.esccovers.com

REPORT ON AN OWN OGAE AUSTRALIA – results from our members

During the last month, OGAE ROW was conducting an own SURVEY about plans of the creation of OGAE Australia. We understand that the survey came rather late since decisions in OGAE International on the issue have been already taken, but we have to underline that this was policy of OGAE network to keep the information confidential and not to allow us informing our members about the process in it’s earliest stages.

First of all, we would like to thank all 70 Australian members of the club who have provided their responses to the survey – that is 82 % of the people receiving it. Unfortunately, 18% have chosen to keep silent and ignore the survey, which is very sad, as the club always awards activity, but also should discourage inactivity on such important issues.

Here is the outcome of the survey:
93% of those responding would like to stay members of OGAE ROW after possible OGAE Australia creation.

Of them:
a) 73% would likely choose OGAE ROW to as their only club and not join OGAE Australia;
b) 21% of people would like to join both OGAE ROW and OGAE Australia. Most people indicated they would like to choose this option to be involved in the local activities, and they hope new Australian club will be welcoming to everyone and will not block ROW Australian members from the access to the events. However at this point of time, there is no indication if new Australian club will indeed have a secondary membership category, or will close doors for everyone who is not their member;
c) 07% of people indicated they would like to stay in ROW as their primary club, but also join other (not Australia) club as secondary, some options named included Hungary and Iceland.

This is an overwhelming majority of people who would like to stay in ROW, and we’re very thankful for that. Here are some comments people chose to give on the issue:
– “OGAE ROW is so much more than just a ticket agency, it tries to keep the members active 24/7”.
– “I am 100% happy being part of OGAE ROW, I feel there are genuine Eurovision fans there, people are so supportive and I love the activities. OGAE ROW is more interesting as other countries around the world are included”.
– “In Vienna we were like one big family from every corner of the world”.
– “It is an eye opener to hear opinions on our shared passion from people on the other side of the globe”.
– “OGAE ROW has a personal touch with its members which is surprising given the size of the club”.
– “We felt at home in ROW from day one”.

94% of respondents said OGAE ROW has satisfied most (if not all) their needs, especially regarding ticket packages. Only 06% think that perhaps their needs may be satisfied somewhat better in own Australian club. Some of the answers on why Australian club may be able to serve needs of Australian members better and thus can be created are:

1 – the club will be in the same timezone as the members, so they can get information and replies to queries instantly.
Current OGAE ROW includes several Australian members, who serve also on positions of treasurer, member liaison, secretary, Facebook moderators etc, so the queries from Australian members are being handled instantly but their fellow Australian members who assist the President of the club.
2 – more ticket packages, no need to share it with members from 30 other countries.
Statistically in the past 3 years 60-80% of packages in ROW were claimed by Australia. ROW club has been able to get a larger share of packages first of all thanks to members in those 30 countries, who pay their membership but do not request tickets in the given year. One of the members stated: “Only in ROW will Australians get so many ticket packages as more than half the members of ROW belong to the club for other reasons than tickets”.
3 – own leadership, an entire board made of only Australians, culturally more transparent and/or democratic governance structure to the club.
As described above, currently we have Australian members who are part of the board, however, a core position of OGAE ROW is that the board should be made on a regional basis, thus reflecting needs of all members of the club. This is natural for the international organization.
4 – more publicity for the Australian activities, decisions tailored for the needs of Australian members not taking in account needs of others.
OGAE ROW provides equal access to Facebook and website to members from all countries who can post the information about their local events and organize them. A sense of OGAE ROW as the multinational club is always to balance the interests of members from different countries, and then unfortunately no preferences can be given to the particular nations.
5 – modern technology to inform Australian members about news like SMS, What’s App, organization of Australian events, support from the Australian broadcaster.
This and many other things can be implemented with activity from the Australian branch of ROW, this is not something that should be organized centrally by the club but within a particular branch. ROW as club absolutely encourages its members for bigger local activities under its banner.

On the other side, some Australian members raised their disagreement with the fact that Australian club has to be created in principle, for example:
– “I do not believe that Australia should have its own club as it is not part of Europe, and I would much prefer that smaller European countries were supported so that they could get clubs running in their own countries”;
– “I feel that ROW does a fantastic job and I struggle to see the benefit of OGAE Australia”;
– “Maybe OGAE Australia should be formed as an off-shoot of OGAE ROW rather than a separate entity”.

There have been thoughts that people should be able to become primary members only in their home countries, for example:
-“I believe that people shouldn’t have ROW as their primary membership if their nationality is being represented by another OGAE branch”.

Yet, considering a creation of OGAE Australia club is a given reality, we’ve also asked members if they would like to see us involved in the creation of the Australian club. The majority of 83 % has responded that they would like ROW to be involved in the Australian club creation. Here are some of the comments that people have given:
– “Yes, in its infancy – I believe that OGAE Australia could benefit from a well run club such as OGAE ROW”;
– “OGAE ROW helped other countries separated into their own club recently so it seems that since most Australian fans are currently part of ROW, they would be the logical party to help”;
– “I think OGAE ROW should play some role in the creation of the Australian club as many of the board members are Australian, and there would need to be a lot of thought put into the transition process for Australian members”;
– “I feel in the early stages ROW would be like the mother/father club giving guidance to OGAE Australia then later on after the dust has settled Australian OGAE would be on its’ own”;
– “I think OGAE ROW should be involved in setting up the Australian club initially to provide guidance”.

Most of people have underlined that there should be more public information given by OGAE International in the regards of process of formation of the club, and every step should be widely publicly announced and accessible by every interested side to ensure their equal access to the information.

Every comment of the members that has been shared to ROW has been carefully read by us, and some great ideas given will be implemented in the time to come. That is why it is so important to be active to have your voice heard and your ideas implemented.

We will be publishing the outcome of the survey also at OGAE International platforms and we sincerely hope that opinion of ROW members will also be taken in consideration in the process of creation of the new Australian club.

INTRODUCING NEW MEMBER

 

We are introducing CHRISTOPHER COBB of the USA

Eurovision for me starts in 2003. On holiday in Mykonos, celebrating
our tenth anniversary, my husband and I had the good fortune to catch
the show in a bar. Two close friends from the UK were vacationing with
us and explained the whole affair. I was hooked.

The next few years are a blur. We started with small parties at our
home in Tampa. Each year the parties got bigger. By 2010, it was too
much. We took a break in 2011 and went to England to celebrate with
our two friends from 2003. They fell asleep during the show.

Later that year my husband and I moved to Long Beach, California,
where we currently live. That’s like moving from Düsseldorf to Baku,
except in reverse. Fortunately, we still live under palm trees. We
haven’t resumed the parties but watch the semis and grand final over
the internet each year.

For years we have joked about wanting to go when the contest is in a
city of interest to us. Stockholm qualifies! We’re going in 2016 and
hope to join the hardcore fans on the floor for all six nights. We
have friends from Austria ready to show us the ropes. Now we just need
to prove ourselves worthy of the tickets.

Fans of Eurovision Song Contest cover songs