All posts by Roy van der Merwe

INTERVIEW WITH MARKS & STEFANET

Because ESC Covers like this duo from the Moldovan selection, we are publishing this interview from ESCKAZ.

Marks & Stefanet – Join Us in the Rain

– Tell us about your contest entry: What is its main message? Whether it was written especially for the preselection? Have you considered any other options?
– Our song was written especially for the contest by “Mister Eurovision” Ralph Siegel. The main and the only message of the song is that only together we can get the power to change our world, to make it clearer, fairer and more beautiful. Allegorically, it sounds like this – in order to live under “the sun” “tomorrow”, “today” we need to join hands together and not to be afraid to step out into the rain. Do not be afraid to say “no”!

– Introduce your creative team working on a song and stage performance? Was anyone of it already connected with Eurovision in the past?
– I, Andrei Stefanet, am a professional musician, I have participated in many international competitions (successfully)) and for several years have participated in the Eurovision Song Contest as a backing vocalist. My partner Mariana Marks is a professional singer, she was born in Ukraine, but for 15 years lives in Germany. Now she is busy working on a new musical “Zeppelin”, in May, it premiers in Berlin. Songs by Ralph Siegel participated in the “Eurovision” 24 times. Many of them have become global hits: for example “Dschinghis Khan” and “Moskau”, which were widely known even in the Soviet Union.

– Tell us more about your stage presentation plans: what do you want to focus the audience’s attention on?
– I think that song presentation should look balanced, so that the visual range do not dominate and do not distract from the substance. Our duo, this is not a dialogue between two lovers, it is a kind of protest, a call to action. We want the audience not only to listen, but to hear! That is why the outfits and the animation in the background – it’s just a seasoning to the product. It is important not to overdo, not to add too much sugar or salt. As M. Gorky said: – Culture is a sense of proportion))

– Why do you think your entry is worthy to represent Moldova at the Eurovision Song Contest? and can you guarantee a certain minimal result at the international competition in case of your victory?
– Today, we live in such an information space in which to surprise someone for 3 Eurovision minutes with folklore gimmicks, dresses to the floor, fire, drums and acrobatic flic- flacs is not even something impossible, but fundamentally naive and ignorant)). Today in fashion are “separate meals”)). Therefore, such a musical “seething” affects directly the viewer vestibular system and therefore creates confusion and discord directly in the stomach)). For a circus one needs to go to the circus, for folklore there are own places as well. Lovers of the colors can easily buy the kaleidoscope. Unfortunately, such phenomena as “Lordi” and “Conchita” just do not have a chance to pass through a sieve Eastern European (not Pavlovian) preselections. Well, of course I can guarantee for us, Moldova and Europe the victory and only the victory. The runner-up is actually the first loser))

Televised stage of the preselection will include one semifinal on 24 February and national final on 25 February. Out of 14 participants only 8 (4 chosen by jury and 4 chosen by televiewers) will qualify to the final.

Find out more info on the Moldova page: http://esckaz.com/2017/mol.htm

Moldova Eurovision 2017 “Marks & Stefanet” Join Us In The Rain (Vino cu noi în ploaie) Mary…
YOUTUBE.COM

FIRST IMPRESSIONS – DENMARK 2017 SONGS

I have listened to all 10 songs, the 30 seconds or so they published. Like the Polish 10 songs, none of the Danish 10 are bad, but after such a short listen, nothing stands out. Here is what I thought after hearing it once
10th place
ANTHONY – SMOKE IN MY EYES
This was like noise in my ears but this I did not want to runaway

9th place
RENE MACHON – WARRIORS
I thought we had enough warriors for a life time at Eurovision

8th place
JEANETTE BONDE – HURRICANE
Austria brought a great Hurricane in the 80’s but this one can pass me by, I won’t be caughted in a love storm by this

7th place
THOMAS RING – VESTERBRO
The only non English song and it is quite nice although reading on internet that it is about prostitutes

6th place
IDA UNA – ONE
Very nice girl but the song is like 100 or so I hear regularly, nothing stand out to make me want this to be my number one

5th place
RIKKE SKYTTE – COLOR MY WORLD
The spelling of color is American and the song sounds American

4th place
SADO VIDOO – NORTHERN LIGHTS
In the early 70’s a UK group Renaisance has a song with this title which was fantastic, I was hoping for something similar but it did not reach the same heights

3rd place
ANJA NISSEN – WHERE I AM
I guess she is the favourite, she looks sings, sings nice, but the song is not a WOW

2nd place
JOHANNA BEIJBOM – A.S.A.P
Love the title but felt slightly disappointed at the first hear

1st place
CALLING MERCURY – LITTLE BIG LIES
The other 9 acts are all solo artists, this is a duo and I like it, it is easy on the ear and I already know it after 30 seconds. But I guess the average voter will not like it
Some fan made a video of his/her rankings

EUROVISION 2007 – HELSINKI – FINLAND

Although I did not like “Rock hard hallelujah” by Lordi a lot, I was happy to go to Finland for Eurovision and especially happy for the country who waited so long for their first victory. I have been a big fan of Finland and had been there several times before. I remember especially my first trip to Europe in 1983 and the problem with visas. Those years there were no Schengen visas and I had to get an individual visa for each country. Travelling by Eurail to Finland meant going over Denmark and Sweden, both had strange conditions for the visa. Sweden said they will approve my visa once I had the Danish visa and Denmark said they will approve my visa once I had the Swedish visa. So I went to get the Finnish visa (which was easy) and said now tell me how do I get to Finland if you do not issue me visas and then both countries did.

Then came 1988. I was in Europe and watched Eurovision in Amsterdam. After I saw Boulevard as the Finnish entry (just love that song), I jumped on the Eurail to go and meet the group in Helsinki and get the vinyl single.

The Finnish embassy is in a house in Pretoria and really such a nice atmosphere and always fairly easy to get their visa. I guess they are the least busy of the Schengen countries so they treat you really nice and want you to have a good impression of their country.

I decided to fly via Amsterdam to Helsinki as I anyway like Amsterdam and there was a good connection to Helsinki, only waiting 2 hours at Schipol airport (which is a great airport with lots to see and do). I had arranged with Max Mannola to meet me at the airport in his car and take me to the accreditation center for my badge and then to the hotel.

The hotel we stayed in Helsinki was quite interesting – Martti Immonen, the president of OGAE Finland at that time, had arranged this hotel just for OGAE fans, so all the people were OGAE. I again shared with Morten and for some reason they thought either me or Morten was disabled so we got the big room for disabled people – especially the bathroom was triple the size of most. It was also the first ever time I stayed in a hotel with no service people, all entry is by card and there is hardly anybody on duty to help you. I was a little nervous at first but it worked quite well. Almost all the OGAE Norway fans stayed in the hotel as well, including the board of OGAE Norway.

Having had problems with accreditation for 2005 and 2006, I did not take a chance for 2007 so when Finland offered P accreditation for people working at the fan stand (which I anyway love), I took that offer instantly. The fan stand was at a good position, centrally located and Finland gave each worker at the fan stand a badge to wear with your name on and what languages you can communicate in, so it was so easy, if you want someone to speak German with you, you instantly check who had the German flag on their name badge. I met wonderful people at the fan stand, one of the Finnish fans had a book which she wanted each artist to sign. Maiken Maites was in charge of the fan stand and it was the first time I met her. She later became OGAE International president. Graham and Mark from the UK also took up the offer to work at the fan stand in return for P accreditation. The fan stand was very busy, if I remember correctly, it was the first time we started voting for who will qualify to the final and then who would end up winning. We lost so many pens at the fan stand as people just helped themselves with pens to complete the voting form and then never returned the pens. I think Maiken each morning came with a bunch of new pens from some hotel group. I think it was the first time we handed out cards with some euro credit so people could SMS votes during the live shows. I remember especially tons of Maltese people came to vote and collect this cards.

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Around the fan stand and pigeonholes were wonderful chairs and stuff and TV screens, so people could really relax. I had some competitions at the fan stand, one was about Belgium female singer DANA WINNER. Although she has never sang at Eurovision herself, she is probably the singer who has done the most covers. My friend Patrick Berini-Pierron in France, who is a big fan of Dana, put a compilation CD together of Dana covers, among them one in Afrikaans of the 1981 Dutch entry and fans could win this compilation at the fan stand. I also enjoyed meeting interesting people at the fan stand, one meeting that stood out was with Richard Herrey from the 1984 winning group for Sweden, The Herreys.

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2007 also was the first time someone from South Africa joined me, Nelius Ferreira who was at that moment a board member of OGAE Rest of the world as the person responsible for Africa. He was able to get a F accreditation from the EBU. He arrived the day of the welcome party. I waited for him at the venue but when he did not turn up, I made my way to the place where the welcome party was, but I did not like it. It was too crowded once I arrived and I was unable to eat a single piece of food and then went home to the hotel. It was quite cold and I got flu.

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My friend Andreas from Vienna, Austria also joined me in Helsinki for his first Eurovision since Stockholm 2000. Both he and Nelius were staying in hotels close to where I was staying and we went together to the venue by train (both P and F could travel on the train for free with their accreditation badges).

I also met up one day with my friend Tom Forsman, who lives in Helsinki. I had visited him several times in the 80’s but had not seen him since 1991. He took me to a second hand record shop where I bought around 10 Finnish CD singles at 1 euro each. One of these was “Den glider in” which feature Kirka who sang for Finland in the 90’s. This song was a song during the Ice hockey world championship in Sweden in 1995.

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I was able to find the single UMM MA MA by NYLON BEAT – it is from 1998. I think it was a selection song that year.

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I also bought a DVD of Jari Sillanpaa who sang for Finland wat Eurovision in 2004 with “Takes 2 to tango”.

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The press working area had free yogurt for the press if I remember correctly.

Something like 23 people came to me asking about Hi 5, the South African boy band who brought out a CD with 6 Eurovision covers and also doing a song from Arash “Temptation” which they called “Versoeking” and a great video was made of this song. By this time Hi 5 was in Spain on a 6 months contract, singing there at venues. The Spanish entry for 2007 was D’Nash with “I love you mi vida” (composed by among others Thomas Gson) which I thought would be ideally suited for Hi 5 for their next album. Unfortunately there was no next album as like with so many boy bands, the members started to argue and the group disbanded. It was a great pity.

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I liked the United Kingdom entry “Flying the flag (for you) by Scooch. This was so well presented and so typical Eurovision and was really disappointed that it did not do well in the final.

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Finland, on home soil, had Hanna and “Leave me alone”. The promo single came in the form of a greeting card – very clever and different.

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The Czech republic finally debuted and they brought a group very popular in their country Kabat but their song “Mala dama” did not really captured the hearts of European fans.

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To celebrate the debuting of the Czech republic, we have a compilation CD called CZECH TRIBUTE TO ABBA. This compilation CD features 23 ABBA songs sung by artists from the old Czechoslovakia and some are in the Czech language and some are in the Slovak language.

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Denmark was responsible for some drama in the form of Drama queen and her song “Drama queen”. It is a really catchy song and DQ became quite popular among the fans. At that time I had no idea how important he and his song would be in 2014 when Eurovision was back in Copenhagen.

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One fan had his Eurovision bag with some promo CD’s inside stolen inside the men’s room. Not everybody was convinced this really happened. If, indeed true, it is horrible that such a thing can happen. Several fans also crawled underneath counter into the pigeonhole area to help themselves to some stuff but luckily these people were caught.

One evening everybody went home before the last press conference which was of Armenia with Hayko. I did stay behind because I quite like the song and also Armenia proved to be one of the most difficult CD’s to get. We were just 7 or so and we all got the promo CD single of “Anytime you need”.

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Sveinn Runar Sigurdsson was back as composer for the Icelandic entry “Valentine lost” by Eirikur Hauksson who had been at Eurovision twice before, first in 19856 when Iceland made their first appearance at Eurovision as part of the group Icy and then again in 1991 for Norway as part of the group Just 4 fun. I met up with Sveinn in the center of Helsinki and he gave me the full CD – not sure if there was a CD single as I never saw it at all.

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For the first time the Swedish promo single was difficult to get. The Ark was a very well known group at the time in Sweden but also in Finland and they said fans could go and buy the CD single in record stores in Helsinki. I was able to swap it from someone for a Hi 5 CD. Alan Tubery reported to me that this was the last Eurovision entry that has been released on vinyl – 500 copies were printed.

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Latvia brought a fun group Bonaparti.lv and their song “Questa notte” is so catchy. We used this melody to write a tribute song to Nelson Mandela which Tobi Jooste and Gloria Bosman recorded. I was with Andreas when he got the individual members to sign his photo book.

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Romania had an equally fun group in the form of Todomondo with “Liubi, liubi, I love you”.

The Netherlands brought a returning artist, Edsilia Rombly who scored high in 1998, but her song “On top of the world” was not on top of the list of the voters and she failed to reach the final.

Verka Serduchka with “Dancing lasha tumbai” represented Ukraine and many fans love this. It was nothing special to me but it ended in second place on the final night.

Russia brought Serebro with “Song number 1” which I still after all these years cannot recall at all, so it made no impression on me.

Belarus had Koldun, a very attractive singer with a song written by Philip Kirkorov and Karen Kaveleryan. When Koldun was born, his mother thought he looked like Princes Diana. Andreas had Koldun signing his photobook. The promo CD also features a Russian version of the song.

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We also got some Koldun chocolates.

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The 2007 winner came in the form of Serbia’s entry “Molitva” sung by Marija Serifovic (who looked like a female Elvis Presley to me). It was the first time Serbia took part as a solo country and it was the first winner of Eurovision since 1998 not to be sung in English. Andy Mikheev wrote the Russian lyrics to the song and they even recorded a Finnish version as well.

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Turkey, Greece, Cyprus, Bulgaria, Germany, Switzerland and Austria all brought fairly well known artists in their countries with interesting songs. They had a varied degree of success.

The OGAE president’s meeting was quite awful and I rather want to forget what happened there.

2007 was not so special for me as not one of the 42 songs got a 9 or 10 from me. But I had a top 8 who all scored an 8
Belarus – Work your magic – Koldun
Malta – Vertigo – Olivia Lewis
Portugal – Danca comigo – Sabrina
Norway – Ven a bailar conmigo – Guri Schanke
Serbia – Molitva – Marija Serifovic
Latvia – Questa notte – Bonaparti.lv
United Kingdom – Flying the flag (for you) – Scooch
Spain – I love you mi vida – D’Nash

There were some horrors
Belgium – Love power – The KMG’s
Poland – Time to party – The Jet set
Israel – Push the button – Teapacks

OWE THORNQVIST

On 30 November 2016, it was announced that Owe Thörnqvist, who was born on the 12th of March 1929 in Uppsala had been selected to take part in the third semifinal of Melodifestivalen 2017 with the song Boogieman Blues. It was going to be his début at the contest. After completing his military service and while studying Political Science at Uppsala University, in 1953, Thörnqvist produced his first revue in Uppsala, and in 1955 his first record was released. His musical style includes rock, ballroom rumba and calypso. Most Eurovision fans have never heard of him and ESC Covers had not even seen a picture of him or heard a song from him and now he went last night direct to the final in the Swedish selection. He came across to us similar to Serhat last year who is much younger than he did not get into the final. Will Eurovision fans embrace Owe if he wins the ticket to Kyiv for Sweden?

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SUPER SATURDAY

If you have any energy left after the 8 selection shows last night, we can continue with our series of questions with no right or wrong answers. And it is exactly about the Super Saturday like last night. Is this overkill for the fans, having to make their way through 8 shows or it is part of the fun and such Saturdays are fantastic? Pictures as illustration taken from the internet.

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EMA 2017 – LAST 4 FINALISTS CHOSEN

 

EMA 2017 – The last four finalists have been chosen
The second EMA 2017 pre-selection has taken place and of the final eight performers, four have advanced to the final, which will be held on Friday 24th February.
Nuška Drašček

Tim Kores

Raiven 

BQL are the final four acts through to EMA 2017.
Clemens (Tok ti sede), Raiven (Zažarim), Kataya & Duncan Kamakana (Are You There), BQL (Heart of Gold), Ina Shai (Colour Me), United Pandaz & Arsello feat. Alex Volasko (Heart to Heart), Tim Kores (Open Fire) and Nuška Drašček (Flower in the Snow) performed in the second semi-final and Nuška Drašček, Tim Kores, Raiven and BQL booked their place in the final for the chance to represent Slovenia at the Eurovision Song Contest 2017 in Kiev.

The second EMA 2017 pre-selection programme
The second pre-selection show was hosted by Tina Gorenjak, Maja Martina Merljak, Tanja Kocman and Mario Galunič. Alenka Godec in Samuel Lucas performed during the voting process.

The second four finalists will join the first four acts who went through last night.

Official photos (by Jani Ugrin) of the second EMA 2017 pre-selection avaliable on: http://bit.ly/2kTIdK4 

The EMA Final 2017
The eight EMA 2017 finalists (in alphabetical order) are:

  • BQL
  • KiNG FOO
  • Nika Zorjan
  • Nuška Drašček
  • Omar Naber
  • Raiven
  • Sell Out
  • Tim Kores

All the details regarding the EMA 2017 final will be released at the beginning of the upcoming week.

Further news on the selection process
More information on the performers can be found on the Official RTV EMA website and on Facebook, Instagram and Snapchat (emaevrovizija).

Please be aware that until the conclusion of the final of EMA 2017, there is a public broadcasting embargo on all the entries.