Song 21: HUNGARY
(19th in the grand final : 108 points)
Artist: Freddie
Song: Pioneer
Lyric: Borbála Csarnai
Music: Zé Szabó
Song 21: HUNGARY
(19th in the grand final : 108 points)
Artist: Freddie
Song: Pioneer
Lyric: Borbála Csarnai
Music: Zé Szabó
Song 5: AZERBAIJAN
(17th in the grand final : 117 points)
Artist: Samra
Song: Miracle
Music and Lyric: Amir Aly, Jakob “Jakke” Erixson, Henrik Wilkström
Song 19 : THE NETHERLANDS
(11th in the grand final : 153 points)
Artist: Douwe Bob
Song: Slow Down
Music and Lyric: Douwe Bob, Jan Peter Hoekstra, Jeroen Overman, Matthijs van Duijvenbode
Song 18 : CZECH REPUBLIC
(25th in the grand final : 41 points)
Artist: Gabriela Gunčiková
Song: I Stand
Music: Christian Schneider, Sara Biglert
Lyric: Sara Biglert, Aidan O’Connor
Thank you for your time by Luc Spencer-Gardner from Australia
I have been to 4 Eurovision Song Contests over the past 5 years. The last two of these, Vienna and Stockholm, have been as a member of OGAE Rest of World. My absolute favourite event to this date has to be this year, Stockholm 2016. While it may sound cliché, this year Sweden really put on a show. The purpose built “Euroclub/Euro Fan Café” provided a haven for us die-hard Eurovision fans, and by having both in the one venue, this made it easier to coordinate friends and fellow fan club members to meet with throughout the week. But this was only one aspect. Putting all the fans, delegations, press accredited persons, and the artists themselves in the one place made for the most integrated event. Meeting people from fan clubs and media services throughout the whole of Europe was delightful, making many new friends and contacts. Having the artists on site also allowed for impromptu stage performances, and random chance meetings. Our very first night in Stockholm, we ran into the extremely engaging and charming Serhat, representing San Marino, and he was the loveliest man. At 5am on Thursday morning, as the Wednesday night was coming to an end, we ran into two of the band members from Cyprus. We spent a casual hour chatting and quite literally howling (at the sun however, not the moon). We also met the band from Georgia, who I am a huge favourite of. I literally ran into (my sincerest apologies again) Iveta from Armenia walking through the Euroclub. We met and found many more of the artists throughout the entire week, at various events, and it was an absolutely unreal experience to be so close to them, and engaging in conversation. The integration of the fans, delegations and press personnel this year was superb.
A quick note, we also availed ourselves to the fellow fan members in ROW and other fan clubs, and planned several meetings to ensure that the whole of our club and those from other clubs were able to integrate also.
I could not fault a thing this year. The show, the hosts, the technology, the integration, and the fans. Thank you for making 2016 Eurovision the best event yet!
Globen B.E and Globen A.E by Sevket Yigit from the United States of America
It is 2009. We are in Stockholm for a week for vacation. Scandinavia has always been one of the places we wanted to visit and here we are in the capital of Scandinavia. We keep seeing Globen on the horizon crouching like an alien ship at the far end of Gotgatan in Sodermalm. We decide to pay a visit to this architectural marvel. It is a chilly April day walking over the bridge connecting Tunnelbana to the white globe which now looks more grey than white as we get closer. Everything looks deserted and quiet, not much of an energy in this neighborhood at this time of the year. The visit starts with a quick video presentation in the SkyView lobby (by the way, only thing I remember from this presentation is the famous “Welcome Europe “greeting delivered by the Swedish girl in the opening act of ESC 2000) Then we proceed to the slow climb with the SkyView elevator up to the top. The view is nothing but disappointing. I remember standing up in the air in vast grayness and see residential buildings all around. Is that all? Did I pay all that just to see Swedish suburban homes and project apartments? And we can’t even go inside the arena? Bummer. I am mad.
It is 2016. We are back to Stockholm and we will be in Globen arena not once but four times. Walking over the same bridge connecting the subway station to the arena again for the first semifinal, we hear the songs of this year playing as a welcoming gesture to the guests. There are people selling flags and earplugs (ha ha, no thanks! my eardrums are ready for the high notes). Someone hands me a free Austrian flag. It must be Eurovision serendipity because Zoe with her song “Loin d’ici” is my favorite.
During our four visits to Globen, it is a chain of amusing moments we experience with other people. Here are some, noteworthy of mentioning:
Security is tight this year in an anticipation of a possible terror attack. We are already used to living in these difficult times in USA and happy to see Sweden is taking this seriously. Going through the security, a girl approaches to me and asks me if she can check me. I say “Yes”. In many parts of the world, being checked by the opposite sex can be a big no no but in a very liberal country like Sweden where gender boundaries are completely eliminated who cares really. She gives me a thorough exam including my ass cheeks getting their share of delicate touch. Of course I am clear and I say “ Thank you, I didn’t know the ticket came with the free deep tissue Swedish massage.” It is all laughters afterwards.
It is the first semifinal that we are standing next to the pedestal on the right where Mans and Petra come every now then and do their presentations. I get a glimpse of smile from Mans while snapping a photo of him. Petra is having hard time to climb up and down the stairs with high heels biting her lips with distress but back to her normal smiley face when the camera light is on. We immediately become friends with the security guy by the pedestal and spend most of our time chatting with him. We say “Thank you for keeping everything safe and in order” to the security guy before we leave and he says which I think must be Swedish politeness “ Thank you for being responsible and making my job easy”. Ha ha..Did I really have a choice of being naughty?
It is the second semifinal I am seated next to a father and a teenager son who came all the way from a small village near Gothenburg to see their favorite which is no surprise Norway. Working with kids everyday at my job, I immediately click with the young boy. He is so passionate about Eurovision. He pokes me every couple of minutes to express his feelings and show his knowledge : “ Look at the dome, it is beautiful isn’t it?” “ Do you know Agnete is actually a Sami?” This goes on and on. I feel happy that a bright new Eurovision fan generation is blooming already.
On the final night, we decide to hang out in the Globen lobby for a while and visit some of the exhibits. There is an SVT exhibit and they are giving a free subscription if we get into a draw after answering some Eurovision related questions. It must be easy peasy you would think. The girl at the exhibit gives us the questions. One question is “ How many times did Sweden win ESC?” So I start counting all the Swedish winners starting from Herreys to Mans. I can see the girl’s raised eyebrows and the grin on her face. I know I am doing something wrong and not getting the answer correct. I keep reciting the winners several times forgetting ABBA each time. When I finally get it, it is a big explosion of laughters.
For me, timeline is divided into two as Globen B.E (before Eurovision) and Globen A.E (after Eurovision) now. The vast grayness and emptiness of Globen 2009 has now become a spectrum of colors and sounds in Globen 2016 with different timbres of human touch. The togetherness, laughs, chuckles, love and banter we shared under this globe has now made everything complete.
Song 16 : ALBANIA
(16th in semi final 2 : 45 points)
Artist: Eneda Terifa
Song: Fairytale
Music and Lyrics: Olsa Toqi
WORST AND BEST EUROVISION by Kyle Woods from the United States of America
As a disclaimer, since I’m participating in judging the competition, I will withdraw myself from eligibility for the prize, but it’s still fun to write a short note.
My best and worst Eurovision experiences…hmm…where to start. I have been to six Eurovisions now, starting in Düsseldorf and continuing through Stockholm.
Let’s start with the worst experience to get it out of the way. It was probably Copenhagen. The whole show felt cheap and poorly run. Having the show on a tiny island out of town accentuated transportation problems and really made me feel unwelcome in the city. Plus the Danes were homicidal with their bicycles. But let’s not dwell on the negative!
But I think my favorite experience from a travel perspective was, somewhat surprisingly, Malmo in 2013. The city was so small that I was constantly running into people I knew. Other cities like Vienna and Stockholm perhaps had more to offer in terms of things to see and do, but Malmo had its own charm and offered much more in terms of interactions with other fans.
I think my favorite thing I did in Malmo was a little river boat tour. It was just a cruise through the canals, and nothing particularly special. However, we happened to be there on the day they were doing a Balkan Music Party. You may not know that I spent a good portion of my life living in the Balkans (primarily in Croatia) so that music and those languages feel like home to me. I was also with a couple fans who live in Switzerland but are originally from Croatia, Serbia, and Kosovo. So it was a Balkan group on this little Balkan music cruise, and we just had a blast. We sang and danced and made utter fools of ourselves, rocking with Riva and longing for Dzuli.
It was a simple diversion, but it put a sort of stamp of approval on that whole Eurovision week, which was spent in many small memorable moments.
Looking Back At Baku by Nikke Allen of the United Kingdom
Baku. I’d never visited Azerbaijan before and really had little idea what to expect. However, I went with an open mind, ready to make friends and embrace every experience – and I was rewarded by the most glorious two weeks, of which Eurovision really was the icing on the cake!
I remember Flag Square on a baking hot morning, queing for our accreditation. The friendliness and helpfullness of all the young volunteers, so eager and happy to talk with you. I learned their names, what their favourites were, watched them experience having Eurovision in their own country, and made lots of friends, in particular a girl called Nargiz, who sat with me at the shows and showed me around Baku.
My memories are still so bright and colourful and happy…
Jedward basically taking over their own press conference and throwing popcorn everywhere. By the end of that day they had won over most of the young volunteers in the press centre, who were by then wearing the paper “Jedheads”
Ukraine running off the stage and up the walkway at the end of their song at the semi final. At the corner of the walkway where Nargiz and I were seated, the dancers took off their wristbands and threw them to the crowd – Nargiz and I got one each. It’s quite a thrill to have something that was actually worn on the ESC stage!
The Hump blowing a kiss to Nargiz and I as he walked down the walkway after performing at the final, because we were waving my large UK flag I’d given to Nargiz as a friendship bond between our two countries. It’s now displayed on the wall in her bedroom.
Also getting blown kisses by Kurt Calleja of Malta and Zeljko of Serbia as they walked to the Green Room. And waved to by the Grannies. Having Jedward cartwheel along the walkway right in front of you as they went to join the other qualifers onstage is quite something!
Sitting chatting with Lys Assia in the lounge of our hotel. Asking her what her favourite song was this year, and she replying Albania and Macedonia. Being allowed to cuddle her cute and tiny little dog she had brought with her. Meeting the first winner of Eurovision and actually there being time to sit and chat together at leisure was a highlight and something I will never forget.
As for Baku itself…
An Azeri woman reporter who had interviewed me the day before, bringing me a pale pink damask rose from her garden in Baku. The scent was heaven, the beauty of it incomparable set against the rush and bustle of the press centre. I wish I could have preserved it somehow. I should have pressed it between the pages of a book. But I took a photo of it and can still recall the scent.
The Caspian Sea. Right outside the door of the Crystal Hall, the Caspian Sea had a mood all of its own and I was utterly captivated by it as each day it changed. I will never forget how, on hot sunny Day 2, it was azure and looked as though it was scattered with diamonds as far as the eye could see. The next day it was a mystical ultramarine; the day after it was a lively teal; for two consecutive windy days in the second week it was a choppy storm-grey – and one glorious night as I rode along the promentory in my London taxi cab at 2 a.m, it was a star-less and moody inky-black, silently rippling. On the very last day at the press centre, the day of the final, it was like a millpond, barely wrinkling on the surface, quiet and content as though it knew the Big Day had finally arrived . The Caspian Sea had so many colours and moods that fascinated me and each had a beauty all its own. But I shall never forget Day 2 when it was azure and scattered with diamonds.
The rides in the taxi back to my hotel early in the morning/late at night through the still crowded traffic streets of Baku. Cars tooting their horns, policemen directing traffic, buses packed with people. A bus pulling up beside the taxi with literally two inches space between us. After the fifth or sixth time of that happening, I stopped freaking out and wanting to drive the taxi for the taxi-driver! The taxi drivers didn’t speak English and didn’t attempt conversation, so I was left to my own thoughts and impressions in the back of the taxi, just watching everything and everyone as we crawled onwards towards the hotel. It often took a good 20 minutes to get there because of the traffic.
I inadventently looked into cars that pulled alongside us and caught snapshots of private families lives without meaning to. Seeing arguments, conversations, laughter. Swish cars driven by yuppies, family cars with a whole host of dark-eyed children staring back at me, and on several occassions hanging half out the windows or standing on the front seat – horrible accidents waiting to happen should their father brake suddenly. Groups of young men parading around in their car, liking to see and be seen. The cars reminded me how dusty Baku was – as so many of them had a noticeable film of dust on them.
Parents walking around the Bulvar with their kids at 2 a.m. .Everything in the city lit up, including the Maiden Tower, which had designs projected upon its side. I remember going past it once to see an Egyptian design with camels projected onto it. It was awesome.
The workforce in Baku. The workforce never seemed to stop. They were building all along the roads – kerbstones being hewn and shaped and fitted, pavements relined, elegant white and beige marble-like residences on the verge of opening, with hedges being planted. Further out towards Bayril and the Crystal Hall Area, the building went on even more apace, as you saw the sides of buildings being scaffolded and workmen stopping at 2 a.m to sit and have something to eat. Women in headscarves sweeping gutters with long twiggy brooms, day and night. Baku, although dusty, was so clean. No dropped litter. The Bulvar and the Fountain Square’s paving slabs gleamed. As did the paving of the Crystal Hall area.
And the workforce worked on throughout the night at the Crystal Hall during the two weeks in the race to get the surroundings finished before the big night. I saw them every night, sometimes two and three in the morning as the taxi took me on a convuluted route round the promentary up to Flag Square and beyond. Workmen and women – busy planting trees, shrubs, flowers. Others turfing a huge area, which was completed the next morning when I rode past it. Others fixing a solitary broken paving slab in the middle of this huge paved walkway to the Crystal Hall.
And the whole Crystal Hall area was like a fairyland when lit-up at night. The Hall itself sparkled with thousands of small lights, its moving beams lit up the sky. On Grand Final night, after the show, I kept seeing what I thought were specks of glitter dancing in the light beams in the sky – and then I realised they were hundreds of moths, attracted to the light beams and dancing there, and the light was glittering off their wings. Really truly beautiful. I wonder if anyone else saw that and realised what it was. It was magical.
And that really sums up my two weeks in Baku, in this fascinating, complicated, hospitable, beautiful land of Azerbaijan. Magical!