Tag Archives: Il Volo


Hello again Rest of the World!

Thank you so much for all your diligence, hard work and sacrifice in getting through round two of our search for the favourite Eurovision song for our brilliant fan club. The results have been tallied.  The top twelve songs have been selected… by YOU!
Now… We ask for you to provide a typical Eurovision scorecard to the twelve songs… That is allocate 12, 10 and then 8-1 points in order of your most favourite (12 points), down.  This means two songs will indeed receive nil points from each voter.  C’est la vie!
The finalists are as follows:
ABBA – Waterloo
Bucks Fizz – Making Your Mind Up
Gina G – Ooh Aah… Just A Little Bit
Dana International – Diva
Lena – Satellite
Loreen – Euphoria
Emmelie de Forest – Only Teardrops
Conchita Wurst – Rise Like A Phoenix
Sanna Nielsen – Undo
Il Volo – Grande Amore
Loic Nottet – Rhythm Inside
Morland & Debrah Scarlett – A Monster Like Me
The timeframe to get these votes through – until midnight 10 January CET.
As previously, please send your votes to escvotes@gmail.com .
Should you wish to discuss this further, please feel free to comment below… If anyone wishes to complain, please send an email directly to our customer service division transvision.vamp@bidc.com (this is not monitored).
Have fun!!!
Rest of the World…. Start voting….


Written by David Thielen (USA)


The first Eurovision I attended in person was Malmö and it was beyond anything I could have imagined. All of it was incredible but of the acts, Zlata had me in tears her song and presentation was so beautiful. And then Cezar, where I left the semi-final thinking OMG what was that, and not liking it at all. And then over the next couple of days it grew on me to the point that it was my second favorite in the final.

And then came Copenhagen. There were a lot of songs I thought were brilliant. But none reached me like Zlata and Cezar. I figured part of that was the first time. And part was that while there were about 10 that I wanted to see win (including Moldova who came in last in their semi), none were as special. And so maybe it was the acts. I did have a wonderful time there and a lot of the music was everything I expected, but no beyond wonderful moments.

So for Vienna I expected once again for it to be like Copenhagen, wonderful but nothing that was beyond anything before. And then…

Monika’s entry from Poland – my god. One of the most uplifting beautiful songs/story I have ever seen. The song by itself is beautiful. The way it was staged was brilliant. One of the most emotional songs ever.

Il Volo’s entry from Italy – possibly the most amazing act at Eurovision ever. And what made it better is I went in thinking their entry was good, but not the best there. Then they came out as the last act, and pulled me in, more and more and more. And by the end they blew me away, far beyond any of my favorites up to that point.

And the list goes on. Russia, France, Sweden all had songs that most years would (or at least should – what were the voters thinking with France) have easily won. Serbia when they broke it open half way through had me jumping and shouting and basically going nuts. I’d say over 30 of the entries were world class.

So there will never be another entry like Zlata or Cezar. But there will also never be another entry like Monika or Il Volo. And that means next year in Sweden I can again expect what I found in both 2013 & 2015 – something absolutely magical.



Written by Shirley Thielen (USA)


I have come to appreciate Eurovision over the last 2 years, primarily because my husband doesn’t shut up about it and so I figured I’d better to watch and see what it’s all about. I’ve come to like it enough that I’ve gone back to watch much of the last 6 years’ shows.


Over that time there are a lot of incredible acts, not to mention quite a few that were awful. But I also saw 9 vote results so inexplicable that they defy explanation:

Nine – Every entry in 2011. Most years we have to choose between several entries that blow us away: Performers, songs, & staging that are amazing. But in 2011 the best was merely “adequate”.  We were left selecting from who rose a bit beyond ok.  How did every country have just “average” acts?

Eight – Ok, we get it that Russia in 2010 was having a giant joke at our expense when they sent Peter Nalich (warning – this video is very painful to watch). But then people actually voted for him? An act that should have been last in the semi and quickly put out of its misery advanced to the final where it again pulled in substantial votes. The only explanation that makes sense was everyone thought they had to vote for Russia regardless of what they did.

Seven – Serbia sent Moje 3 with a beautiful song, 3 amazing singers, and staging that is possibly the worst in the history of Eurovision. The voting results are understandable due to the painfully bad staging. But why?

Six – Cristina Scarlat delivered a beautifully staged power performance, with a sound both compelling and unique. And the result? Last place. Granted, the first semi in 2014 was the most competitive semi in the history of the contest. But she delivered a performance that well deserved to advance on to the final. To give something so good last place is inexplicable. (This also put Romania in a quandary; they had to find someone else to award their 12 points to.)

Five – Kate Ryan (enough said…)

Four – Israel sent brilliant, powerful acts in 2013 & 2014 and what was the result? Last. In the semi! What is going on here? It’s like Israel is completely forgotten. Granted they’re way off on an edge far away from most of Europe, but so is Iceland. And it’s not that they get fewer votes than expected, they get ignored. Especially in 2014 when Austria & Israel clearly outclassed everyone else in their semi performances.

Three – Pastora Soler reached out and drew us into one of the most powerful performances ever in the history of Eurovision. And for a performance that should have been a solid second, what did she get? 10th. Perfect song, an amazing voice, and staging that was perfect; absolutely perfect. The response to such a powerful performance shows that Europe gives Spain no respect.

Two – Cezar delivered a truly astonishing performance in 2103. He showed a vocal range that was incredible with a song and staging that was perfect for him, and brilliant for Eurovision. The question remained:  How would the tele voters react to his performance because it was so different? Well the tele vote loved it. But the jury, that group of musical “professionals” almost universally panned it. The jurors showed themselves incapable of appreciating something outside the norm, no matter how brilliant.

One – Il Volo owned the final. In a field with a number of exceptional acts (Sweden, Russia, & more), they ended the show with a number that outclassed everything. And the tele vote agreed. But once more the jurors trashed it; again showing themselves incapable of appreciating something outside the norm, no matter how brilliant.